MyVidster Tag results for 550d

aurora 2012
Bookmarked 734 weeks ago by digg
last week i was again in norway for shooting northern lights this time i was very lucky there was a lot of activity on the sky especially on the 24 ja

fifty people one question - ireland 2011 by kamil krolak
Bookmarked 772 weeks ago by digg
quotone town 50 different people one very difficult questionquot039fifty people one question039i made this short movie few months ago with the help of

timelapse canon 550d hd version 2
Bookmarked 762 weeks ago
testing timelapse video with canon eos 550d interval 20sek 18 - 55mm av 80f manual focus iso 400 and a new timelapse timer remotemore videos http:hd-videosk

bratislava
Bookmarked 761 weeks ago
time lapse in capital of slovakia bratislavacanon 550d 35mm av 11f 15s interval manual focus 287 pictureshttp:hd-videosk

the grim reaper
Bookmarked 746 weeks ago
with salom lagresleroger zmusic by vitalyi zavadskyyhereafterhttp:wwwmyspacecomvforvitalhttp:wwwyoutubecomuservitaliiiishot with a canon 550dtamron 17-50mmf28

aurora 2012
Bookmarked 734 weeks ago
last week i was again in norway for shooting northern lights this time i was very lucky there was a lot of activity on the sky especially on the 24 january the scenes are from ravnastua skoganvarre and lakselv the first two days i had a lot of trouble with frozen cameras it was -25c -13f and after 1-2 hours of shooting the lens was frozen i used a canon 5d markii with ml a 7d and a 550d with ml all the scenes were shoot with this 3 lenses: canon ef 24mm f14 l on 5d tokina 11-16mm f28 on 7d and my samyang 8mmf35 on 550dthe sound i found on the vimeo music store:elemental by pulse factionpath of stars by jonathan geeri know that the sound is not for everyone i will soon publish another version with quit music

cars love winter in latvia
Bookmarked 728 weeks ago
short edit from few local tracs lakes and roads in riga and tukums city

giant stinson beach bubbles canon 550d
Bookmarked 779 weeks ago
bubble-smith sterling johnson on stinson beachcanon 550d t2i test footage music by incompetechcomstinson beach bubbles canon 550d t2i test footage double rainbow

miguel southee - london trousers
Bookmarked 791 weeks ago
filmed ampamp edited by:danny chansavathstarring: miguel southeemusic by:common market - soul cure

bratislava nov most
Bookmarked 761 weeks ago
time lapse sunset video made in capital of slovakia used canon eos 550d t2i rebelsetting : appriture f80 av intervals 10 s last 30 s manual focuscount of photos : 283more video039s hd-videosk

nas - i can remix by cee-roo
Bookmarked 722 weeks ago
how to fix your bike with style :new cee-roo remix out every month at:http:wwwfacebookcomcee-roohttp:wwwsoundcloudcomcee-roohttp:wwwgeometrickpariscomcredits :t-shirt design sponsor : gomtrick paris dir of photography : stefan meyer http:wwwfacebookcomstefanmeyerphotographybike re-design : paolo paoluzzo

quotorionquot - motion controlled night timelapse
Bookmarked 776 weeks ago
shot in central south dakota in late march-early april it was the first time i039ve had the chance to use an orion head mounted on the dynamic perception stage zero dolly http:wwwdynamicperceptioncomthe orion aka merlin or celestron teletrack telescope head allows for an ultra slow pan and tilt of the camera while it moves slowly along the dolly the mx2 controller from dynamic perception runs the dolly as well as the orion head i also used a quotmilapsequot mount on a few shots as well the orion works great with the mx2 and the dolly i039ll be using it often meteor flash at :53 wide shot see close up pic belowat 2:09 you can see the orion panning and tilting on the dollycanon 60d and 550dtokina 11-16 sigma 20mm f18tamron 17-50shot in raw format most shots were 25 seconds exposure f28 or 18 on the sigma with 2 second interval between shots for about 300 frames or so several hours there were a few 30 second exposures iso 1600music: equinox by the american dollardownload a free 9 track american dollar sampler here: http:wwwtheamericandollarbandcampcomalbumfree-winter-2010-compilationread more on wiredcom http:wwwwiredcomwiredscience201104time-lapse-astrophotographyfor more info or licensing contacthttp:wwwdakotalapsecomhttp:twittercomdakotalapsehttp:wwwfacebookcompagesdakotalapse111818295557281

rod serling on the topic of race - youtube
Bookmarked 275 weeks ago
camera: canon t2i550d 18-55 lenses follow me on instagram: vlatographor please leave a like

what is being creative
Bookmarked 789 weeks ago
a reflection on what it means to be creative featuring a phone design-conceptoriginal music by palmer taylor blackdoveaudiocom

literal drug commercial
Bookmarked 769 weeks ago
talk to your doctor about quotdrugquot today the revolutionary new pharmaceutical breakthroughthis quotthursday night livequot digital short is a production of pineapple shaped lamps a live theatre troupe based in wilmington ncwritten and directed by devin dimattiafeaturing devin dimattia suzanne larue and jake stewardshot edited and colored by matt zeher

how to do smoke photography
Bookmarked 762 weeks ago
in this episode of digitalrev tv quothow toquot we take a look at a question left on our facebook page - quothow do you do smoke photographyquot kai shows us how you can do it with a canon 550d 580 ex ii flash and a lensbut he also proves that there is no smoke without fire

the bridge
Bookmarked 757 weeks ago
the vision:back in october of 2009 i set out to make a film that would push my talents as both a storyteller and a filmmaker i wanted to create a film that would challenge myself and my audience meshing both classical and experimental storytelling techniques from music books amp films that have inspired me in one way or another i wanted to make a film that didnt do any spoon-feeding where my audience would leave with questions as well as answers it was a long a difficult road to get to this point and there were days where i felt that i was in way over my head but eight months later i can proudly say ive finally completed my film the bridge and it was an experience i would never forgetthe inspiration:the story of the bridge was a story a cousin had told me when i was eight years old it was a ghost story about two siblings on a bridge i remember it haunting me for weeks and causing many sleepless nights under my sheets obviously it had a lasting influence in my life it had always been one of those stories that i wanted to adapt into a short film so when the opportunity finally came one day i decided to pull to trigger when i was in film school i would constantly fantasize about making some sort of epic period piece especially one that took place during ww2 so when i decided i was going to make the bridge i instantly followed it up with hell why not make it into a ww2 movie i could have easily made this film as a contemporary piece but where would the fun be in that i never do things because its easy i do it because its hard i love a challenge i figured i could keep the same characters themes motifs style and wrap it around a ww2 setting so i did pre-production:so it began after a quick outline i started writing the screenplay and being a one-man crew at the time i also started doing work on costumes and props i lived and breathed ww2 247 i watched every ww2 movie and documentary i could get my hands on i even got my hands some real ww2 letters to get a grasp on the eras language i felt like a student again and i loved it i scoured ebay for every ww2 field gear i could afford to buy and the stuff i couldnt get i had them custom made cheaply in china i wanted it to be detailed and authentic as possible while keeping my almost non-existing budget down i remember coming home one day and having almost a couple dozen ebay packages on front door it looked like the front door of the post officecasting:the casting of the bridge was actually one of the smoothest aspects of the entire process i first went to my good friend amy and asked her if she would like to help me produce the film having worked with each other before i didnt really have to ask twice she was happy to be my first recruit for the leading role i asked my good friend pablo soriano to take the part having worked with him before we have a good understanding of each other he is just a naturally gifted actor and he makes my job as a director so much easier plus his puppy dog eyes make him a perfect protagonistfor the leading female role i went looking for a girl who had beautiful almost hypnotic eyes thats when i spotted leah in one my good friends music video i called up carlos and basically told him i need to have that girl for movie a few days later she was on boardi owe the discovery of mike the character who plays james connolly to my producer amy she had read the script and recommended him i remember her telling me mike is james words that any director would love to hear and as usual amy was rightso a couple months later the script was complete the costumes and props were ready and the cast was cast we were ready to shootproduction:with our extremely limited budget i knew right from day one that we were going to shoot the bridge on dslrs specifically the canon 7d and 5d mark ii with this in mind i knew as also the dp of the film i was going to push these cameras to its limits i wasnt going to let my equipment limit my vision of the film i knew at the very beginning that i may or may not have a crappy movie in the end but hell its gonna look damn good we all know about the cameras limitations but i wasnt going to bitch and moan about it i was going to work around it i took it as a personal challenge to make these cameras work and i didabout 75 of the film was shot with the 7d and the rest with the 5dm2 the main reason i shot with the 7d more was the 24p firmware update wasnt available for the 5dm2 during the bulk of the shooting i prefer the 5dm2s full frame sensor the 7d cropped sensorproduction like any other shoot had its ups and downs ours was mainly san franciscos unpredictable weather you can blink and the bay area can go from miserable foggy weather which is what i wanted for the film to perfect summer beach party weatheralso being a guerilla production also has its own set of problems i remember an actor and i almost getting arrested at a national park because a tourist reported seeing some soldier carrying a rifle we got patted down and escorted off the premises before the ranger let us go she handed me a business card for film permits i thought that was hilariouspost-production:there wasnt really a post-production for the bridge i did post simultaneously during production i would shoot on a weekend and then do visual effects or picture and sound editing on the weekdays it was a very indie film workflow the upside was i always had very polished dailies to show my cast and that kept them motivated to give me their besti spent my first two years out of film school as a cg artist being able to do my own 3d animation modeling surfacing lighting and rendering definitely upped the production value of my film cg artists arent cheap and i calculated that if i had paid someone else to do my visual effects it would have been double the entire budget of the filmi hate adr and foleying but if you dont have a budget you have to do it yourself we had two whole scenes where sound was completely unusable the tunnel scenes so we had to redo it from scratch i remember adr sessions inside automobiles and 2 am foley when my neighborhood is quiet and i dont have to deal with traffic and barking dogsi discovered my composer justin browsing through some filmmaking forums he is such a talented musician he added so much emotion to my film being a super control-freak its very difficult for me to hand off any aspect of my film to someone else unless i have 100 percent confidence in that person justin is one of those people in fact justin was the only other person who had a hand in post aside from meit was tough being a one man studio for this film i acted as dp and director on sunday editor on monday sound editor on tuesday visual effects artist on wednesday and thursday and compositor on friday i got some rest on saturday while my two computer farm renders but in the end when it all comes together nothing feels more rewarding than seeing the art youve created i can safely say that i created something im very proud offull circle:so here it is 8 months work compressed into a 30-minute narrative short the film i set out to create back in october of 2009 i would like to thank everyone who was a part of it i couldnt have done it without you to my viewers i hope this film challenges you like it challenged me enjoycast:henry sullivan - pablo sorianojames connelly - mike frenchsamantha johnson - leah thompsonmitchell walker - mitch walkermusic by:justin r durbanproduced by:amy ngwritten directed shot and edited by:marlon torres tech specs:camera: canon 5d mark ii canon 7dlenses: canon 35mm f2 50mm f14 85mm 18 100mm f28 24-105mm f4l 70-200 f4lsound: zoom h4n rode ntg2running time: 30 minutesformat: 185:1 h264 hdfor more information about the filmmaker please visit: wwwtorresstudioscomor email him at: contacttorresstudioscomor add him on: wwwfacebookcommarlontorresimdb: http:wwwimdbcomtitlett1679300