collect the videos you love
collect | share | explore
Tag results for t2i
sort by: relevance | recent
Results from all user's collections (47 out of ~47)
The results from your search appear low, try our web search for better results.
absolute-n-ace humanity canon t2i music video

artist: absolute-n-acesong: humanityalbum: the diamond anatomyfollow us: absolutenacefilmed by yung absofor videos contact: whoisabsolutegmailcomfor booking contact: stayondagrindentgmailcomor tweetdirect message dvynemama on twitter
what tech does thecomputernerd01 and joshsobo use for youtube

http:wwwyoutubecomuserthecomputernerd01http:wwwyoutubecomuserjoshsobodirect from playlist live 2012 this is a look at the technology some of the top youtube producers are using to make their videos possible in this video we039ll take a look at the tech thecomputernerd01 and joshsobo uses to produce content for youtubewhat about you do you produce video content if so what technology do you use
salt boarding - blank snowboards

http:wwwblanksnowboardscoma couple of my friends who own the snowboarding company blank hooked us up with a bunch of sweet snowboards to shoot this video so special thanks to them make sure to check out their rad snowboards in the link above even i approve of them :my friend stephen anderson wrote the score specifically for this video he composes the music for most of my videos actuallyyou can download the song off itunes from the video in the link belowhttp:itunesapplecomusalbumsalt-boarding-singleid489718433make sure to check out his website in the link belowhttp:wwwstephenjandersoncomfilm was made by devin grahami039m on facebook now : https:wwwfacebookcomdevinsupertrampyoutubeand don039t forget to add my twitter : http:wwwtwittercomdevinsupertrampbesides the blank snowboarding team hooking us up with their boards my friends at star moose also helped produce this video with me you can check out their link below to see what they are all abouthttp:wwwstarmoosecomi also had the help from my friends to shoot thishere are my friends that helped shoot with me:jace leroy grant mccarty aaron eskaran dylan higginbotham and david jacobsenand my friend jacob schwarz did the color correcting for this videoso make sure to check out his youtube channel he started a couple weeks backhttp:youtubecomjacobschwarzas far as a technical standpointwe filmed this all in utah on the salt flats this was not shot at all on snow it was salt i promise no hidden tricks or gimmicks : because it039s such an awesome location lots of movies film here such as independence day pirates of the caribbean: at world039s end tree of life and many more while filming we were able to pull people on the snowboards clocking in at 50 mph : we filmed this in august i039m releasing it now due to a couple other circumstancesas far as the filming of this video goes it was shot on several different cameras in order of the model of camera most used check belowcanon 5d mark iicanon 7dcanon t2igoproas far as making the camera look like it was quotflyingquot i used a glidecam 2000 hd for all those shots you can check out the exact model on their official website below where you can also buy them and i don039t get paid to say that :http:wwwglidecamcomi also go over a lot of camera questions i get asked in my blog right below in case you have more questions :http:devingrahamblogspotcomand for business enquirers only you can contact me at this emaildpdevingmailcom
rc aerial cam snow reel

for info and rates please go to rcaerialcamcom or email us at rcaerialcamgmailcom
cold as ice

over the last week or so i have been filming time lapses of ice cubes melting in different formations each time it took anywhere from 3 to 6 hours for the glasses of ice to melt completelywhile shooting this i faced some technical difficulties with camera equipment and my canon t2i is now in the shop for the next 4 to 12 weeks unfortunately that cut the shoot down some but i think its a blessing in disguise to make the edit shorterhope you like itfilmededited by scott klumb
the blue stones - i039m a stereo - official music video

music video using apple iphone 4 facetime video chat technologydirected shot ampamp edited by: gavin michael boothproduced by: gavin michael boothassociate producers: marie jeannette ampamp lisa stilesiphone camera operator: daniella bumbaccomimetic entertainment 2011to contact the blue stones: thebluestoneswindsorgmailcomfor more music from the blue stones visit:http:wwwthebluestonescahttp:wwwmyspacecomthebluestoneswindsor
leaked official apple iphone 5 promo video - keynote 2012

the iphone 5 is the best phone to take pictures of your foodhttp:wwwadamthinkscomwritten directed and edited by adam sacksstarring avery monsenshot by matt braunsdorffood photography by helen rosner http:nelehorg
occupy denver

last saturday i went downtown this is what i capturedmusic: champagne champagne-i fell throughfollow me https:wwwfacebookcomshelbysmithvideoand for more info:http:wwwshelbysmithvideocom
rc aerial cam aerial video reel

for rates and info visit our webpage at: wwwrcaerialcamcom
the bridge

the vision:back in october of 2009 i set out to make a film that would push my talents as both a storyteller and a filmmaker i wanted to create a film that would challenge myself and my audience meshing both classical and experimental storytelling techniques from music books amp films that have inspired me in one way or another i wanted to make a film that didnt do any spoon-feeding where my audience would leave with questions as well as answers it was a long a difficult road to get to this point and there were days where i felt that i was in way over my head but eight months later i can proudly say ive finally completed my film the bridge and it was an experience i would never forgetthe inspiration:the story of the bridge was a story a cousin had told me when i was eight years old it was a ghost story about two siblings on a bridge i remember it haunting me for weeks and causing many sleepless nights under my sheets obviously it had a lasting influence in my life it had always been one of those stories that i wanted to adapt into a short film so when the opportunity finally came one day i decided to pull to trigger when i was in film school i would constantly fantasize about making some sort of epic period piece especially one that took place during ww2 so when i decided i was going to make the bridge i instantly followed it up with hell why not make it into a ww2 movie i could have easily made this film as a contemporary piece but where would the fun be in that i never do things because its easy i do it because its hard i love a challenge i figured i could keep the same characters themes motifs style and wrap it around a ww2 setting so i did pre-production:so it began after a quick outline i started writing the screenplay and being a one-man crew at the time i also started doing work on costumes and props i lived and breathed ww2 247 i watched every ww2 movie and documentary i could get my hands on i even got my hands some real ww2 letters to get a grasp on the eras language i felt like a student again and i loved it i scoured ebay for every ww2 field gear i could afford to buy and the stuff i couldnt get i had them custom made cheaply in china i wanted it to be detailed and authentic as possible while keeping my almost non-existing budget down i remember coming home one day and having almost a couple dozen ebay packages on front door it looked like the front door of the post officecasting:the casting of the bridge was actually one of the smoothest aspects of the entire process i first went to my good friend amy and asked her if she would like to help me produce the film having worked with each other before i didnt really have to ask twice she was happy to be my first recruit for the leading role i asked my good friend pablo soriano to take the part having worked with him before we have a good understanding of each other he is just a naturally gifted actor and he makes my job as a director so much easier plus his puppy dog eyes make him a perfect protagonistfor the leading female role i went looking for a girl who had beautiful almost hypnotic eyes thats when i spotted leah in one my good friends music video i called up carlos and basically told him i need to have that girl for movie a few days later she was on boardi owe the discovery of mike the character who plays james connolly to my producer amy she had read the script and recommended him i remember her telling me mike is james words that any director would love to hear and as usual amy was rightso a couple months later the script was complete the costumes and props were ready and the cast was cast we were ready to shootproduction:with our extremely limited budget i knew right from day one that we were going to shoot the bridge on dslrs specifically the canon 7d and 5d mark ii with this in mind i knew as also the dp of the film i was going to push these cameras to its limits i wasnt going to let my equipment limit my vision of the film i knew at the very beginning that i may or may not have a crappy movie in the end but hell its gonna look damn good we all know about the cameras limitations but i wasnt going to bitch and moan about it i was going to work around it i took it as a personal challenge to make these cameras work and i didabout 75 of the film was shot with the 7d and the rest with the 5dm2 the main reason i shot with the 7d more was the 24p firmware update wasnt available for the 5dm2 during the bulk of the shooting i prefer the 5dm2s full frame sensor the 7d cropped sensorproduction like any other shoot had its ups and downs ours was mainly san franciscos unpredictable weather you can blink and the bay area can go from miserable foggy weather which is what i wanted for the film to perfect summer beach party weatheralso being a guerilla production also has its own set of problems i remember an actor and i almost getting arrested at a national park because a tourist reported seeing some soldier carrying a rifle we got patted down and escorted off the premises before the ranger let us go she handed me a business card for film permits i thought that was hilariouspost-production:there wasnt really a post-production for the bridge i did post simultaneously during production i would shoot on a weekend and then do visual effects or picture and sound editing on the weekdays it was a very indie film workflow the upside was i always had very polished dailies to show my cast and that kept them motivated to give me their besti spent my first two years out of film school as a cg artist being able to do my own 3d animation modeling surfacing lighting and rendering definitely upped the production value of my film cg artists arent cheap and i calculated that if i had paid someone else to do my visual effects it would have been double the entire budget of the filmi hate adr and foleying but if you dont have a budget you have to do it yourself we had two whole scenes where sound was completely unusable the tunnel scenes so we had to redo it from scratch i remember adr sessions inside automobiles and 2 am foley when my neighborhood is quiet and i dont have to deal with traffic and barking dogsi discovered my composer justin browsing through some filmmaking forums he is such a talented musician he added so much emotion to my film being a super control-freak its very difficult for me to hand off any aspect of my film to someone else unless i have 100 percent confidence in that person justin is one of those people in fact justin was the only other person who had a hand in post aside from meit was tough being a one man studio for this film i acted as dp and director on sunday editor on monday sound editor on tuesday visual effects artist on wednesday and thursday and compositor on friday i got some rest on saturday while my two computer farm renders but in the end when it all comes together nothing feels more rewarding than seeing the art youve created i can safely say that i created something im very proud offull circle:so here it is 8 months work compressed into a 30-minute narrative short the film i set out to create back in october of 2009 i would like to thank everyone who was a part of it i couldnt have done it without you to my viewers i hope this film challenges you like it challenged me enjoycast:henry sullivan - pablo sorianojames connelly - mike frenchsamantha johnson - leah thompsonmitchell walker - mitch walkermusic by:justin r durbanproduced by:amy ngwritten directed shot and edited by:marlon torres tech specs:camera: canon 5d mark ii canon 7dlenses: canon 35mm f2 50mm f14 85mm 18 100mm f28 24-105mm f4l 70-200 f4lsound: zoom h4n rode ntg2running time: 30 minutesformat: 185:1 h264 hdfor more information about the filmmaker please visit: wwwtorresstudioscomor email him at: contacttorresstudioscomor add him on: wwwfacebookcommarlontorresimdb: http:wwwimdbcomtitlett1679300
diy macro lens on the cheap - smarter every day

post to facebook - http:onfbmeljotzm tweet this - http:bitlybadbeard macro photography lenses are usually quite expensive this is a quick and dirty way to get a macro photograph no matter where you are most people look out the airplane window i show you a neat method to look at it click here to get the photos: - http:bitlyif732eas promised here is a link to the macro adapter- http:amzntomacroadptr
sub zero - winter night timelapse

shot in south dakota in early february with most nights sub zero with -25 f wind chill used dynamic perception stage zero dolly and milapse mount on most of the shots the stage zero dolly worked great in the sub zero tempshttp:dynamicperceptioncomcanon 60d and t2itokina 11-16 - great lenstamron 17-50shot in raw format most shots were 20 seconds exposure f28 with 1 second interval between shots for about 300 frames or so several hours there were a few 30 second and one 15 second exposures iso 1600music is quotscorpioquot by simon wilkinson wwwthebluemaskcomsimon039s music has also been used on fox039s quot24quotfor licensing contacthttp:wwwdakotalapsecomhttp:wwwtwittercomdakotalapsehttp:wwwfacebookcompagesdakotalapse111818295557281
the most epicly filmed glowsticking video you will ever see

filmed by blake johnsonmusic by 952 crew-quotour last chancequotdownload the music here: http:itunesapplecomusalbumour-last-chanceid388533535i=388533733glowstringing by anna quotschlosser90quotcamera: canon t2ithis was filmed to show the passion and art of glowstringing and sticking to show peace love unity and respect glowstringing is my passion and it039s been an amazing experience learning this art this was also filmed to showcase my good friend blake johnson039s music and whether he knows it or not his amazing filming skills we are both blessed with an amazing talent and we are proud to present this work of art :dand always in association with glowstickingcom :p
tokyo slo-mode

japan caught in slow this is for my hometown music credit: flying lotus ft thom yorke- and the world laughs with youfollow me on twitter for updates on upcoming projects: http:twittercombadassmusketeere-mail: alexyoukileegmailcom
the edwardian ball 2011 canon 550d

the edwardian ball and world039s faire 2011 at the regency ballroom san franciscocanon 550d t2imusic: danse macabre by kevin macleodincompetechcom used under creative commons licenseperformers include: vau de vire society jill tracy rosin coven dark garden fou fou ha eric mcfadden trio the gomorrans